Liz Phair explained the concept of the album on a Billboard article, stating that "For me, Guyville is a concept that combines the smalltown mentality of a 500-person Knawbone, KY.-type town with the Wicker Park indie music scene in Chicago, plus the isolation of every place I've lived in, from Cincinnati to Winnetka". Phair has commented, "It was fun. Exile In Guyville. I wrote the whole album for a couple people to see and know me."[7]. And on “Strange Loop,” the cacophony that builds at the end makes you lose sense of the cadence before Phair tones down the noise and her guitar finds the rhythm again, singing happily and giving us hope amid all the catharsis we’ve heard on previous songs. Guyville Redux features Phair and all the people involved with the album, recounting its making and describing the male-dominated, Chicago indie music scene of the early 1990s. Exile in Guyville is biting, from the smart jangling guitars that kick off the album to the wonderful train wreck that accompanies the end of the final cut, “Strange Loop.” Phair is not blessed with a great voice, but her flat, sometimes emotionless delivery, coupled with biting lyrics, packs more punch than any earnest-sounding singer could possess. Guitar, Vocals – Liz Phair: 2:03: 15: Johnny Sunshine Bass – Tony Marlotti Drums, Backing Vocals – Brad Wood Guitar, Vocals – Liz Phair: 3:27: 16: Gunshy Guitar [Sick Guitar] – Brad Wood Guitar, Vocals – Liz Phair: 3:15: 17: Stratford-On-Guy Drums – Brad Wood Guitar, Vocals – Liz Phair… In 2020, it was ranked #56 by Rolling Stone in its 500 Greatest Albums of All Time list. Genres: Indie Rock, Singer/Songwriter. The album, which was out of print, was again available on CD, vinyl and, for the first time, in digital format. Exile in Guyville is the debut studio album by American singer-songwriter Liz Phair, released on June 22, 1993 by Matador Records. Girls! Liz Phair broke through the scene in 1993 with her debut Exile in Guyville, blending her indie rock sound with a blunt lyricism that didn’t shy away from subjects that … What’s left are raw emotions. The reissue was released on May 4, 2018 in four formats; the physical LP box set, the digital deluxe edition, as well as cassette and CD pressings. From Liz Phair's Girly-Sound To Guyville: the 25th Anniversary Box Set, released May 4th, 2018 from Matador Records. She commented, "That stuff didn't happen to me, and that's what made writing it interesting. Listen to her four-track versions of the tunes, and try to come up with ways of doing them as a 'band'. With her 18-song double-LP debut, Phair pried the lid off her life and sang away secrets. On the wistful “Explain It to Me,” she plays her guitar over a slow tom-tom; “Canary” features an echoing piano that plays while she sings with tongue firmly planted in cheek, “I come when called / I come, that’s all.”, With the lo-fi production — it sounds almost like Phair plugged in her guitar, pressed record on her tape player, and started playing — she is allowed to be honest, stripped bare of any artificiality. The album received widespread critical and commercial success. Exile in Guyville is the debut studio album by American singer-songwriter Liz Phair, released on June 22, 1993 by Matador Records. In 1998, it was certified gold by the RIAA. The interior artwork is based on that of Lopez Tejera's 1952 album "The Joys and Sorrows of Andalusia". Another problem that arose from her success was also dealing with her stage fright. I just wanted people who thought I was not worth talking to, to listen to me." It was recorded at Idful Music Corporation in Chicago between 1991 and 1993 and produced in collaboration by Phair and Brad Wood. All tracks are written by Liz Phair, except where noted. A recording of Phair's version of "Wild Thing" (based on the melody of The Troggs song) was planned for inclusion, but dropped at the last moment; the song was later included on the "Girlysound" disc of Phair's "Funstyle" album.[25]. Gerard Cosloy, co-president of Matador, stated that "We usually don't sign people we haven't met, or heard other records by, or seen as performers. Exile In Guyville By Liz Phair. Rated #87 in the best albums of 1993, and #3868 of all-time album.. If Exile in Guyville is shockingly assured and fully formed for a debut album, there are a … Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Exile in Guyville, culled from a few demo tapes, is a masterpiece full of unpredictable, truly independent sounds. As of July 2010, the album had sold 491,000 copies. I was kind of at war with indie when I made that record." Phair eventually sought the mainstream, employing songwriters that had penned hits for such pop stars as Avril Lavigne, but Exile in Guyville, her response to the Rolling Stones’ Exile on Main Street, is just as much a classic as the precursor was. A Second Listen: R.E.M., 'New Adventures in Hi-Fi', A Third Beatles Fantasy Album: Free As A Bird, Album Review: The Sea – Corinne Bailey Rae, Concert Review – Teenage Fanclub, 3/18/19. Liz Phair is a US singer-songwriter and guitarist. These cookies will be stored in your browser only with your consent. The reissue was released on June 24, 2008 in the United States and on August 25, 2008 in the United Kingdom. The resulting album was released in 1993, receiving widespread critical acclaim. It was right: simple, driving, direct and blunt. 196 on the Billboard 200 and was Matador's most successful release at the time. The reissue package includes three previously unreleased songs from the original recording sessions: "Ant in Alaska", "Say You", and an untitled instrumental with Phair on guitar (commonly known as "Standing"). [7], The term Guyville comes from a song of the same name by Urge Overkill. Phair’s albums, particularly her 1993 debut “Exile in Guyville” and the follow-up “Whip-Smart,” have influenced two generations of young female singer … This release is an extensive, limited edition 7-LP or 3-CD box set to celebrate the anniversary of her classic album. This kind of guy mentality, you know, where men are men and women are learning." However, the whole process was made difficult by the fact that he and Phair had opposite ideas regarding what direction to take in terms of sound. Initially, she sent out only two tapes, one to Tae Won Yu from the band Kicking Giant, and the other to Chris Brokaw. ", Phair has also stated that most songs on the album were not about her. The booklet also features a collage of several Polaroid photos of Phair, Wood, Rice (and various other people), with a paraphrase from lines from the movie Dirty Harry. Liz Phair’s Exile In Guyville Album Cover Lacks The Flair Of Her Original Idea. Your email address will not be published. Enter Liz Phair, standing all of five feet two inches tall, with a foul mouth and a renegade image. I wasn't connecting with my friends. Soon she moved into his apartment and started playing her songs to him. I wasn't connecting with relationships. [9] When asked during an interview with Noah Adams on his radio show All Things Considered about the concept, she elaborated: "It was a state of mind and / or neighborhood that I was living in. Phair commented in interviews that the album was a song-by-song reply to The Rolling Stones' 1972 album Exile on Main St.[10] Some critics contend that the album is not a clear or obvious song-by-song response,[11] although Phair sequenced her compositions in an attempt to match the songlist and pacing of the Rolling Stones album. Eventually, engineer Casey Rice joined Idful and started working with Phair and Wood as she had no band of her own. [4], In the summer of 1991, Phair wrote and recorded songs on audio cassette tapes, which she circulated in Chicago using the moniker Girly-Sound. Exile in Guyville is biting, from the smart jangling guitars that kick off the album to the wonderful train wreck that accompanies the end of the final cut, “Strange Loop.” Phair is not blessed with a great voice, but her flat, sometimes emotionless delivery, coupled with biting lyrics, packs more punch than any earnest-sounding singer could possess. This website uses cookies to improve your experience. [3] As of July 2010, the album had sold 491,000 copies. The reissue consists of the original album remastered and Phair's three Girly-Sound demo tapes, marking the first time that the full set of demo tapes would become available for official purchase. Phair reacted to the reception of Guyville, saying "I don't really get what happened with Guyville. About Liz Phair. Liz Phair is a Grammy-nominated singer-songwriter whose debut album, Exile in Guyville, has been hailed as a landmark of indie rock. Two years later, Somebody's Miracle, Phair's fifth album (and final album with Capitol Records), was released. Or the Best Song About It, At Least. “And whatever happened to a boyfriend / The kind of guy who tries to win you over?” she laments in “Fuck and Run.” And on “Shatter,” she sings, “Just being with you slapped me right in the face / Nearly broke me in two.”. I laid down the guitar, and then I would just tell them what kind of song it would be and what kinds of instruments we needed to do. These cookies do not store any personal information. When Matador was contacted by Phair in 1992, they signed her. In 2020, it was ranked #56 by Rolling Stone in its 500 Greatest Albums of All Time list. It’s a terrible double standard, and while there are exceptions, it’s been the rule ever since the 60s brought on the male singer-songwriter. But opting out of some of these cookies may affect your browsing experience. [23] However, in its 2003 revision of the list, it moved to number 30.[24]. So I blew him off." "Johnny Sunshine" was one of the first songs recorded in 1992 that eventually made the record. Wood stated, "We did two or three evenings of recording just for fun where we tried to discover something. Actually we just played our parts separately. After the early sessions with John Henderson, Liz Phair started working with producer Brad Wood at Idful Studios, in 1992. She tosses aside all traditional songwriting models; sometimes the songs have no chorus, and sometimes there’s just a chorus and nothing else. Liz Phair's 'Exile In Guyville' Live Fifteen years after it was released, Exile in Guyville still resonates — if not for its faded shock value, then for its brilliant songcraft. Exile In Guyville MP3 available HERE. For decades, men have been able to do pretty much anything in rock music, from Bob Dylan’s less-than-stellar voice and looks to John Lennon’s use of the f word in “Working Class Hero.” By comparison, women have had to be more demure, relying on pretty faces and spectacular voices to succeed on the charts. We recorded "Fuck and Run," and that's when I realized we were on to something. If it sucked, no one would hesitate to say so if they believed it. It had so much exuberance." John Henderson, owner of the Chicago indie label Feel Good All Over, heard the tapes and contacted Phair. [22] In 2020, the album was ranked #56 on Rolling Stone's list of 500 Greatest Albums of All Time. Regarding the recording process, Casey Rice stated, "We basically all sat around and thought about how to make the guitar and vocals versions of the songs into what we thought would be better ones. Growing out of the American underground of the late '80s, Liz Phair fused lo-fi indie rock production techniques with the sensibility and structure of classic singer/songwriters. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. 2018 marks the 25th anniversary of Liz Phair’s landmark album Exile in Guyville. The intense… More about Liz Phair LIZ PHAIR’S 1993 DEBUT full-length album, Exile in Guyville, didn’t ask permission to rock; she just kicked out a space for herself among all the young dudes. Released 24 June 1993 on Matador (catalog no. The press put it out there that Liz Phair’s Exile in Guyville was a song-by-song reply to the Rolling Stones’ ultra-macho Exile on Main St. but I was too entranced to keep track. “Exile in Guyville” is indie rocker Liz Phair’s debut studio album, released in June 1993 by Matador Records. The MP3 download ONLY INCLUDES THE GIRLY SOUND TAPES. Exile in Guyville was also a moderate commercial success. [3] In 1999, Pitchfork rated Exile in Guyville as the fifth best album of the 1990s. It was the number one album in the year-end critics poll in Spin and the Village Voice Pazz & Jop critics poll.[21]. Sometimes Phair is armed only with an electric guitar; other times an eerie piano is the only accompaniment. [27], As per the liner notes of the 2008 reissue:[28], ^shipments figures based on certification alone, Girly-Sound to Guyville: The 25th Anniversary Box Set, "Liz Phair Releasing Rare Girly-Sound Demos With 'Funstyle' LP", "Liz Phair on 'Guyville' and the Secret to a Successful Topless Photo Shoot", "He Said, She Said: How Liz Phair Took the Rolling Stones to 'Guyville, "The Next Big Things On Local Rock Scene", Christgau's Consumer Guide: Albums of the '90s, "Liz Phair: Girly-Sound to Guyville: The 25th Anniversary Box Set", 2001 VH1 Cable Music Channel All Time Album Top 100, Pitchfork's original "Best Albums of the '90s" list, Pitchfork's 2003 "Best Albums of the '90s" list, https://twitter.com/PhizLair/status/974382379136512000, "Liz Phair – Exile in Guyville (2008 CD, ATO Records, ATO0059)", "American album certifications – Liz Phair – Exile in Guyville", Recording Industry Association of America, Liz Phair Reissues Exile in Guyville, Signs to ATO, October 6, 2008 NPR Live Performance in Los Angeles of 'Exile in Guyville', Girly Sound: Yo Yo Buddy Yup Yup Word to Ya Muthuh, The Tra La La Song (One Banana, Two Banana), https://en.wikipedia.org/w/index.php?title=Exile_in_Guyville&oldid=1000329704, Short description is different from Wikidata, Album articles lacking alt text for covers, Articles with unsourced statements from June 2013, Certification Table Entry usages for United States, Pages using certification Table Entry with shipments figures, Pages using certification Table Entry with shipments footnote, Wikipedia articles with MusicBrainz release group identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 14 January 2021, at 17:38. He was projecting onto me what he wanted my music to come out like, which was wrong. ", Brad Wood provided a different recording approach, structuring the drum patterns and bass lines around Phair's vocal phrases and guitar riffs, instead of recording the rhythm section first and then layering the guitars and vocals on top. 2008. This category only includes cookies that ensures basic functionalities and security features of the website. Includes EXILE IN GUYVILLE (double remastered LP) ... An extensive booklet containing an oral history by Jason Cohen including interviews with Liz Phair, Chris Brokaw, Brad Wood, John Henderson and more, an essay by Liz Phair, and an essay by journalist Ann Powers. Your email address will not be published. Work boots. Originally released in 1993 on Matador Records. The indie legend on the history of "Fuck and Run." Phair has stated, "We both wanted something for me. Exile in Guyville, an Album by Liz Phair. Necessary cookies are absolutely essential for the website to function properly. The songs "Fuck and Run", "Never Said" (as "Clean"), "Girls! ", "Flower", "Johnny Sunshine", "Divorce Song", "Soap Star Joe", "Shatter", and "Stratford-on-Guy" (as "Bomb") all originated from a set of home recordings by Phair under the moniker Girly-Sound, and were re-recorded for the album. It frequently appears on many critics' best-of lists. It’s a joyous moment. Asked about what she sees in Guyville, Phair said that "All the guys have short, cropped hair, John Lennon glasses, flannel shirts, unpretentiously worn, not as a grunge statement. The New York Times' Meghan O'Rourke's review, titled "Liz Phair's Exile in Avril-ville", said that Phair "gushes like a teenager" and had "committed an embarrassing form of career suicide." Instead, she made her first album on an indie label. Liz Phair was apartment-sitting in Chicago, thumbing through a box of cassettes, when the Rolling Stones’ Exile on Main Street caught her eye. The videos for "Never Said" and "Stratford-On-Guy" received airplay on MTV. Being emotionally forthright was the most radical thing I did. She wasn’t signed by Clive Davis at Arista Records because she didn’t look like Whitney Houston or sing like Celine Dion. “And the license said you had to stick around until I was dead / But if you’re tired of looking at my face, I guess I already am,” she sings in “Divorce Song.”, But it’s Phair’s ballads that express her true vulnerabilities. We'll assume you're ok with this, but you can opt-out if you wish. Phair commented, "It's odd... Guyville was such a part of indie. Phair’s music is far from simple; her guitar playing is unique, finding chords where there shouldn’t be any and stringing them together for three-minute songs that fit the lyrics perfectly. She used their album as a template if you will and instantly had a title: Phair being the female musician outcast in a city full of male musicians was, herself, the "Exile … VH1 named Exile in Guyville the 96th Greatest Album Of All-Time. On the previously mentioned “Shatter,” the guitar sings for a full two-and-a-half minutes before she begins singing. Her album Exile in Guyville was chosen as one of Rolling Stone's 500 Greatest Albums of All Time. You know what I mean? Sticker on cover reads: 15th Anniversary Reissue. Guyville, because it was definitely their sensibilities that held the aesthetic, you know what I mean? But I had a hunch, and I called her back and said okay."[7]. I do recall there being no lack of candor and if someone wanted to do something, we tried it. Liz Phair Wrote the Book on Fucking. Required fields are marked *. It was recorded at Idful Music Corporation in Chicago between 1991 and 1993 and produced in collaboration by Phair and Brad Wood. The sudden success of the album also generated a somewhat negative response from Chicago’s indie music scene. Henderson preferred a stripped-down but precise sound, possibly with outside musicians, while Phair wanted a fuller sound. About Liz Phair. Phair was also responsible for a great part of the artwork design. [7], Despite this, the album inspired a number of imitators, and the lo-fi sound and emotional honesty of Phair's lyrics were frequently cited by critics as outstanding qualities. Where noted was certified gold by the RIAA for the website part of.! June 22, 1993 by Matador Records for her pre-Lilith feminist leanings, who lives in Chicago by audiocassettes! Singer-Songwriter whose debut album, Exile in Guyville, has been hailed as a landmark of indie rock recipients the. An apartment close to the head of Matador Records was such a and. Recording sessions, Henderson tipped off Brad Wood Chicago by self-releasing audiocassettes the... 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